b'ArtConsumption of Power: The Myth of Kronos in the Art of Greece and GoyaMadelynn E. TahslerSponsor: Dr. Glenda Swan ,Department of Art and DesignThis paper analyzes the differences in emphasis of a singular myth, Kronos swallowing his children, as its visual depiction changes in both ancient Greece and the Romantic era. The ancient Greek myth focuses on Kronos swallowing his children in a vain attempt to prevent his fate of being struck down by his own child. Kronos is ultimately tricked into swallowing a rock in place of his youngest son, Zeus, who defeats Kronos, rescues his siblings, and establishes a pantheon. In ancient imagery, the mythological focus is placed entirely on the deception that will overthrow the primordial tyrant and solidify an orderly power structure. This mythological representation clearly reflects the structure of power and order seen in ancient Greek religion. Goyas depiction, however, focuses on the monstrous actions of Kronos as he attempts to preserve his power as the king of the Titans; by highlighting Kronos corruption and hunger for power, Goyas unusually vivid depiction nevertheless represents a common theme in Romantic art.The Visual Language of the Myth of Artemis and Aktaion in Greek Art and TitianCassandra TaylorSponsor: Dr. Glenda Swan, Department of Art and DesignThis paper will examine how the myth of Artemis and Aktaion was portrayed in Greek art as well as how this ancient textual and visual history was adapted in the late Renaissance paintings of Titian for his patron, Phillip II, King of Spain. The myth involves the death of a hunter at the hands of the goddess because of his transgression, either purposeful or accidental. While the ancient Greeks employed the myth to show the power and unforgiving wrath of the godsregardless of human intentionsTitian depicted the myth to contrast Christian ideals of divine power and justice, especially as enacted by those who rule.13'