VSU Tuba/Euphonium Homepage

ERIC BRADSHAW
Office Phone: 229-249-4965
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Welcome to the Valdosta State University Tuba/Euphonium studio. Students that comprise the studio include: Music Education majors, Music Performance majors, Bachelor of Arts majors, Master of Music Education majors, as well as secondary and non-music majors. The studio is located in the Fine Arts Building on campus. Valdosta State is located just a few miles from the Florida border off of interstate 75. We are approximately 3 hours from Atlanta, GA and less than two hours from the Gulf of Mexico and the Atlantic Ocean. Valdosta, Georgia is a metropolitan area that has managed to keep the small town feel and appearance.
In this area you will find information pertaining to auditions, events, and how the studio is structured. There are also links to find more information pertaining to the VSU music department, various ensembles, and other areas of interest for the tuba/euphonium musician.
If you are a high school student that is interested in continuing your education in music, and would like to consider Valdosta State University, the audition dates for admittance and scholarship are typically in February and March, or by individual appointment. For those of you who are soon to be graduating seniors in high school, I would be more than happy to assist you with any audition preparation, meet for a free lesson, talk about music, or just get together for a bite to eat.
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Auditions: The freshman or transfer student audition consists of three components:
Auditions: Master of Music Performance - Tuba Audition Material
Student must meet the minimum requirements as listed for the barrier exam-see below. Students should also select material from the following list:
Etudes Two contrasting etudes from the following books:
Arban- Complete Method for the Tuba
Blazevich- 70 Advanced Etudes (v. 1 & 2)
Blume 36 Studies
Fritze- Twenty Characteristic Etudes
Gallay 30 Etudes
Kopprasch 60 Selected Studies
Kuehn 60 Musical Studies
Lake (arr.) 12 Studies for Bass Trombone (or Euphonium or Tuba)
Rochut- Melodious Etudes for Trombone (v. 1-3)
Snedecor- Low Etudes for Tuba
Vasiliev 24 Melodius Etudes
*other etudes may be acceptable, if approved by the brass faculty
Solos Two contrasting works/movements from the following solos:
Beversdorf - Sonata
Broughton- Sonata
Corwell- Aboriginal Voices (tape) New England Reveries (tape)
Gregson- Concerto
Hindemith- Sonata
Horovitz- Concerto
Kellaway- Morning Song
Kraft- Encounters II (1970)
Mahler- Songs of a Wayfarer (trans)
Penderecki- Capriccio
Persichetti- Serenade no. 12
Plog- Three Miniatures
Rachmaninov- Vocalise (trans)
Russell Suite Concertante
Shostakovch- Adagio from the Limpid Stream (trans.)
Stevens, H. - Sonatina
Stevens, J. Triumph of the Demon Gods
Vaughan Williams Concerto for Bass Tuba
Wilder Effie Suite
*other solos may be acceptable, if approved by the brass faculty
Excerpts Select 3 excerpts from the standard orchestral literature
The following is a suggested list of solos and method books that might be appropriate for the freshman level of study. This is by no means a comprehensive list.
Euphonium Solos:
Andante and Allegro, Barat
Introduction and Dance, Barat
Bride of the Waves, Clarke
Maid of the Mist, Clarke
Andante and Rondo, Capuzzi
Morceau Symphonique Guilmant
Concerto in F minor, Handel
Tuba Solo:
Air and Bouree, Bach
Ricercar, Gabrieli
Suite for Tuba, Haddad
Allegro in F minor, Handel
Lento, Holmes
Persiflage, Koepke
Adagio and Allegro, Telemann
Euphonium Method Books:
Complete Methods, Arban
36 Studies, Blume
Melodious Etudes (book 1), Bordogni/Rochut
60 Studies (book 1), Kopprasch
Warm-up Studies, Remington
40 Progressive Studies, Tyrell
Tuba Method Books:
Complete Methods, Arban
70 Studies (book 1), Blazhevich
43 Bel Canto Studies, Bordogni
Hal Leonard Adv. Band Mthd., Rusch (with special studies by Arnold Jacobs)
40 Advanced Studies, Tyrell
24 Melodious Etudes, Vasiliev
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Structure:
The studio is a combination of lessons, studio class, and recital hour. Each student receives a weekly lesson (or two) of 25 or 50 minutes depending on their major. Students receive between 1 and 4 hours of credit. As part of the lesson requirements, students have a studio class that meets once a week. This time is used to cover aspects specifically related to the tuba and euphonium, perform for each other, tuba/euphonium ensemble and much more. This is an invaluable part of the lesson experience here at VSU.
Students also meet once a week for recital hour. This is an opportunity to hear other students throughout the music department. All music majors are expected to perform on one recital hour every semester. This helps to ensure proper preparation when it comes time for senior hearings and recitals.
Below, you will find a sample syllabus. This is modified slightly to meet the needs of each student.
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CATALOG DESCRIPTION: Majors register for lower division numbers unless they qualify for upper division work. This qualification will normally occur after four semesters of study, based on approval from a faculty committee. Majors must attend studio class and student recitals as determined by the instructor.
RATIONALE: Individual applied music study with a professional teacher is essential to the development of a students musicianship and technical proficiency.
TEXT: Method and etude books and repertoire representing all styles of applicable performance.
COURSE OBJECTIVES: Upon successful completion of this course, students will be able to:
1. Perform and interpret music literature from Western civilization as well as music from other world cultures.
2. Present performances of solo and ensemble music in a variety of styles.
3. Perform in a variety of ensemble settings.
4. Develop a knowledge of performance techniques.
5. Develop the ability to apply analytical and historical knowledge to curriculum development, lesson planning, and daily classroom and performance activities.
6. Develop skill in assessment and evaluation of applicable performance.
7. Develop an advanced level of performance skill in both solo and ensemble settings.
EDUCATIONAL OUTCOMES: This course meets the following education outcomes:
Bachelor of Arts: Graduates of this program will demonstrate:
#1. Conceptual understanding of the literature and historical development of music in Western civilization and of the function of music in world cultures.
#2. Personal musicianship through solo and ensemble performance.
Bachelor of Music with a major in music education will demonstrate:
#1. Develop a functional knowledge of wind, string, fretted, and percussion instruments, as well as voice.
#2. Develop the ability to apply analytical and historical knowledge to curriculum development, lesson planning, and daily classroom and performance activities.
#3. Develop skill in assessment and evaluation strategies.
#4. Develop and advanced level of performance skill in solo and ensemble settings.
Bachelor of Music degree with a major in performance: Students will:
#1. Acquire knowledge of applicable solo and ensemble literature.
#2. Acquire knowledge of applicable theoretical skills.
#3. Have experience with the fundamentals of pedagogy.
#4. Develop the ability to apply analytical and historical knowledge to activities related to performance.
EVALUATION: Course evaluation will be based upon performance skills, studio class participation, and attendance at designated departmental events. Performance skills will be evaluated through private lessons and semester juries as follows:
1. A grade will be assigned for each private lesson. The average of all these grades will constitute 70% of the semester evaluation. All students will be required to keep a notebook. This notebook will contain numerous aspects of euphonium pedagogy, materials, vocabulary, etc. This will be due at the end of each semester, but should be updated and added to on a weekly basis.
2. Students will perform a twenty minute jury before a faculty committee at the end of each semester. Each committee member will assign a grade for the jury to be averaged as 20% of the semester evaluation.
3. 10% of your grade will be based on recital attendance.
Requirements for Barrier Exam-given after the fourth semester of applied lessons before entering upper division 3000 level lessons
Tuba
Scales: All Major and minor scales (with arpeggios)
1 octave
Quarter note = 120
Etudes: To be selected from the following books by the instructor
Arban Complete Method for Tuba
Bordogni 43 Bel Canto Studies
Blazhevich 70 Studies (vol. 1)
Getchell Second Book of Practical Studies
Tyrell 40 Advanced Studies
Solos: Two contrasting excerpts or movements as selected by the instructor
Bach Air and Bouree
Bencriscutto Concertino for Tuba and Band
Catozzi Beelzebub
Gabrieli Ricercar
Haddad Suite for Tuba
Handel Allegro in F minor
Jager Diverse Moments #1
Nelhybel Suite for Tuba and Piano
Senaille/catelinet Introduction and Allegro Spiritoso
Telemann Adagio and Allegre
Excerpts: To be selected from the standard orchestral and wind band literature (if selected by the instructor)
Links:
International Tuba/Euphonium Association